Transmedia installation · Solo exhibition · 2026 · Convent de Sant Agustí
Transgenderglitch is a transmedia art project that explores the relationships between image, technology, identity and power through glitch, fragmentation and the political possibilities of opacity. The project reactivates an intimate, trans and poetic visual archive created between 2012 and 2016, consisting of images and records that remained outside the public gaze. Ten years later, its reinterpretation shifts this archive from the digital space into the exhibition space, opening up new questions about archives, identity and the technologies of opacity.
Glitch, understood as an error, interruption or disruption within a system, functions here as a metaphor for identity and as a strategy for dismantling the normative discourses that organise bodies and gender. Against the political fiction of gender as a technology of social disciplining, distortions, format disruptions and fragmented images open up zones of indeterminacy from which to imagine other forms of existence and representation. Error ceases to be an anomaly that must be corrected and becomes a possibility for transformation, a space from which to question the stability of categories and explore dissident embodiments and identities.
The project also offers a critical reflection on the politics of visibility on the internet and the constant exposure of bodies across digital platforms. In a context shaped by hypervisibility, the continuous circulation of images and mechanisms of data capture, Transgenderglitch reclaims the value of what remains outside the gaze. Unpublished images are understood as fragments of an intimate archive and as memories in resistance against data technocapitalism. What does it mean to be visible? What remains outside the gaze? Who determines the conditions under which an identity can be represented, interpreted or recognised?
Reactivating the archive also means revisiting personal material from another time, another space and another technological context. Its political dimension intertwines the vulnerability of revealing what initially remained outside the public gaze with an exploration of opacity as a strategy of resistance against normative logics of representation and capture.
In its exhibition adaptation, Transgenderglitch takes the images beyond the screen and unfolds them within the physical space. Interruption and fragmentation shape a transmedia installation in which archive, image, technology and affect intersect to open up new territories of fiction.
